Bauhaus white grid battles Art Nouveau wood cliffs in miniature

Do this for Bauhaus vs. Art Nouveau <instruction>
1.  Input Variable:
Input A is a Pair of Rival Architects or Design Philosophies (e.g., Le Corbusier vs. Frank Lloyd Wright, Bauhaus vs. Art Nouveau).
Deconstruct the rivalry into two contrasting   Material Languages  :
     Faction A (The Industrialist - Left):  Materials are "White Foamcore," "Plaster," and "Plastic." Geometry is rectilinear, stark, and vertical.
     Faction B (The Naturalist - Right):  Materials are "Basswood," "Cork," and "Stone." Geometry is organic, horizontal, and integrated with terrain.

  2.  Studio Table
Goal: An "Architectural Model Smackdown."
     The Base:  A large, vintage wooden drafting table with a green metal frame.
     The Divide:  A chaotic "River of Blueprints" (cyanotypes) flows through the center of the table, physically separating the two dioramas. Rolled tubes of paper act as bridges or barriers between the sides.

  3. The Split World:  
     Left Side (The White City):  A pristine, sterile architectural model made of pure white cardstock. Iconic structures (e.g., Villa Savoye) are arranged in a grid.
     Right Side (The Organic Landscape):  A topographic tiered model made of layered wood and cork. Iconic structures (e.g., Fallingwater) are embedded into the "cliffside" with resin water features.
     The Figures:  Two   Stylized Caricature Figurines   (Big Head/Small Body "Vinyl Toy" aesthetic) stand on their respective sides, facing each other. They must wear their iconic accessories (e.g., Corbusier's thick round glasses, Wright's cape and cane).

  4. Visual Syntax 
     The Plaque:  A polished   Brass Nameplate   is screwed into the front edge of the wooden table.
     Text Rule:  "THE ARCHITECT'S BLUEPRINT: [Name A] VS. [Name B]".
     Props:  Drafting triangles, T-squares, and X-Acto knives are scattered around the periphery, reinforcing the scale.

  5. Lighting 
     Lighting:    Studio Softbox.   Bright, even illumination that highlights the texture of the paper and wood. No dramatic shadows; it looks like a design presentation.
     Background:  A blurred Architectural Office (pinned sketches on walls, drafting lamps).
     Depth of Field:  Tilt-Shift effect. Focus is sharp on the figures; the background is heavily blurred.

  Output:   ONE image, 1:1 Aspect Ratio, Photorealistic Miniature Photography, "Wes Anderson" Symmetry.
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